With the Asian Contemporary Art Fair in full swing this weekend, it is perhaps fitting that The New York Times has run an article on one of Southern Asia’s most celebrated and demonized painters; India’s M.F. Husain.
M.F. Husain has been referred to as the “Picasso of India” – and is certainly India’s most famous if not controversial artist. The level of interest and enmity around his work has caused the 93 year-old artist to into a self-imposed exile in Dubai. His work is internationally known, and in the art marketplace commands a hefty price tag. In early 2008, amid protest, the diptych Battle of Ganga and Jamuna: Mahabharata 12 fetched 1.6 million dollars at auction.

Protester at Christies in NY. Photo: Snaps India
So why is this accomplished painter, who has a body of work estimated at 20,000 pieces the center of so much animus? It stems from a series of nudes, most notably “Bharat Mata” (Mother India), that depicts India on a map as a nude female, with her breast pointing out to the Arabian sea. While not shocking to Western eyes, this piece unleashed religious and cultural tidal waves as Mother India is the personification of the country, and is seen as sacred.

"Bharamata" (Mother India) M.F. Husain
According to The New York Times article “Mr. Husain insists that nudity symbolizes purity. He has repeatedly said that he had not meant to offend any faith.” However, in 1996 in 8 criminal complaints were filed against Husain in India for his nude portraits of Hindu Gods and Goddesses. The charges claimed his works promoted “enmity between different groups.” Though the 8 counts were ultimately dismissed, it did not abate the continual criticism and scrutiny of Husain’s work.
Today, M.F. Husain still remains in self-imposed exile despite the May 2008 dissmisal of three obscentiy cases against him. The court says he “deserves to be at home, painting his canvases.” Meanwhile, the bemused Husain is making the best of his time in Dubai, while thinking of India – “If things get all right, I’ll go. If they don’t, so be it. What can I do?”
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